(HALSTON)

Broadway: Fun Home, Wonderful Town, and The Green Bird. 

Off-Broadway: The forthcoming new musical, The Gorgeous Nothings;Novenas for a Lost Hospital (Rattlestick); The Cradle Will Rock (Classic Stage); America Is Hard To See (HERE); The Light Years (Playwrights' Horizons); Plenty, Fortress of Solitude, February House (Public Theater); Too Much Sun (Vineyard); La Ronde (HERE--Best Actor, Fringe Award); Debbie Does Dallas (Jane Street); The Whore of Sheridan Square (La Mama—NYIT Award nomination).  Regional credits include The Waves, Private Lives, True West, Gentleman's Guide to Love & Murder (CT Critic's Circle Award/San Diego Critics Circle Nomination), February House (CT Critics Circle Award), Next Fall, Burn This, and Merrily We Roll Along. 

TV/Film: Star Trek: Starfleet Academy, Godfather of Harlem, The Good Fight, American Crime Story: Versace, Christophe on Mozart in the Jungle, House of Cards, Lavender (Sundance & SXSW 2019, acquired by Fox Searchlight), Save the Date, Radio Killer, Admission, Ira & Abby, Friends With Kids, People Like Us, Puccini for Beginners and others. Ken is an acting coach and teacher of Dreamwork for Artists. kenbarnett.net,@kbnyc.

In addition to performing, Ken is a teacher and coach specializing in Dreamwork for artists. www.dreamwork.nyc & @dreamwork_nyc

*Equity Member appearing with permission of Actor’s Equity Association.

DIRECTOR

New York Credits: Disgraced (Broadway); Bella Bella and The Niceties (Manhattan Theatre Club); Chris Gethard: Career Suicide (Judd Apatow presents); The Who and The What, and Disgraced (Lincoln Center Theater 3); Discord (Primary Stages); Engagements (Second Stage); Dan Rather’s Stories of a Lifetime, Margaret Trudeau’s Certain Women of an Age, and Aasif Mandvi’s Sakina’s Restaurant (Audible). Chicago Credits: Support Group for Men, Disgraced, and Rapture, Blister, Burn (Goodman Theatre); Buried Child, The Scene, Marjorie Prime, Diary of Anne Frank, Hedda Gabler, and The Letters (Writer’s Theatre); Discord, 4000 Miles, and The Whipping Man (Northlight Theatre); Want and The North Plan (Steppenwolf); Inana, My Name is Asher Lev, All My Sons, and Dolly West’s Kitchen (TimeLine Theatre); The Great God Pan, After The Revolution, Madagascar, The Overwhelming, and The Busy World is Hushed (Next); Waiting for Lefty (American Blues); Old Times, The Conquest of the South Pole, Uncle Vanya, Cherry Orchard, Three Sisters, Fuddy Meers, and Knives in Hens (Strawdog); Cripple of Inishman, Bug, and The Pillowman (Redtwist Theatre); Thieves Like Us (The House Theatre); among others. Regional: Sweat and The Niceties (Huntington Theatre Company); Byhalia, MS (The Kennedy Center); The Niceties (Geffen Playhouse); Miss Bennett: Christmas at Pemberly (Milwaukee Repertory Theatre); Other Than Honorable (Geva); Sex with Strangers (The Geffen Playhouse); Disgraced (Mark Taper Forum, Berkley Repertory Theatre, Seattle Repertory Theatre); The Who and The What (La Jolla Playhouse); Little Gem (City Theatre); Games Afoot, Murder on the Nile, and A Few Good Men (Peninsula Players); Mauritius (Theatre Squared, Fayetteville, AR). Film/TV: Chris Gethard: Career Suicide (HBO).

kimberlysenior.net

PLAYWRIGHT

Raffaele is a professional Art Director, working in advertising, with a varied background in the magazine and publishing worlds. His passion has always been theatre, music and fashion; and he continues to write as well as produce projects around the city. As a performer and producer, Raffaele has explored classical and modern music as well as theatrical projects.

My years of experience in the advertising space, along with a varied background in both magazine design and publishing, has taught me the power of words and how they can affect perception. My passion for theater combined with my professional skills has provided a natural transition into the world of playwriting.